The PUKES @Boston arms,Tufnell Park 5/3/2012

As Promised, last night I went all the way up to Tuffnell Park to see a band called ‘The Pukes‘. Well, I say ‘band’ but that really does not do them justice. They are more of a ‘punk ukulele collective’ or, to use their own terminology ‘a ukulele anti-society for punks’.

I am guessing, but I would hazard a guess that there were around 15 or more people on that stage thrashing the guts out them little Ukuleles. Mostly ladies, mostly with different colored hair. Mostly tattooed. Totally a spectacle to be seen.

I have been talking to Clara from the pukes over email for a little while now. She sent me a list of their gigs a while back (see the events calendar for their next gig). Now there a few guys in my office over from New York for a few weeks running training courses. One of them asked me if we could go to a punk gig, and I remembered Clara had told me of this gig, so I took my New York workmates up to Tuffnell Park. They couldn’t believe what they saw. The pub was full of leather jackets, bright coloured mohawks and big boots, but my New York mates just couldn’t understand people looking like that but still able to ask them ‘scuse me, mate when they wanted to get past. Apparently, New York punks have much lower standards etiquette than London punks.

So the Pukes rolled through a great list of 2 1/2 minute punk standards that, although admittedly never written for ukulele, belonged on the 4-stringers, if they belonged to be played at all. Further more, every member of the band and the crowd enjoyed what was going on. If you play Uke yourself, you will most likely know that sub-conscious grin you get when you play a tune on it, and you know that by all the rules it just should not work, but it does. That exact same grin permutated through the crowd. Even the most hardened punks were bouncing.

Of course, if that wasn’t enough, to top my evening, I went back stage to meet the band, and I was also lucky enough to get a quick play on what we think might be the only solid body Kala U-Bass in Britain at the moment. It’s owner, Paris, was kind enough to let me take some photos of it, but I am going to save most of them for another day. These U-basses need further investigation, and I know just the website… stay tuned!

Want to try punk uke yourself? Download ‘The Pukes Punk Songbook‘ now!

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Winter of Discontent punk fest with SUBHUMANS / PUKES’s

If your in London this weekend, don’t forget this gig tomorrow night, I will be there and so will ‘THE PUKES‘ :-

SUN 4 MARCH BOSTON ARMS, Tufnell Park
Winter of Discontent punk fest with SUBHUMANS/ PUKES’s on 7.30pm/ £12

The Pukes
WHEN: March 4, 2012 @ 6:30 pm – 11:45 pm
WHERE: Boston arms
Tufnell Park
London Borough of Islington,London N7
UK

COST: £12

Welcoming Tibo

Hey, we have just signed one of the brightest young stars of the electric ukulele scene and we are proud enough to let you know. Tibo is a 13 year old from Belgium and already he has built a great electric ukulele stratocaster, down below, and we thought you might like to hear more about what he is working on next. We are hoping he can bring some of the things he learnt along the way to http://ukeland.co.uk and he is happy to talk about the work he has done with you all.

For around $5, every street kid in Indonesia can have a ukulele and sing.

There is a kind of revolution occurring on the streets of Jakarta, where punk sensibilities, brotherhood, music, desire for freedom and ukulele’s have met each other in one place. I have been trying to write an article on this for quiet a while now but the subject matter has made it difficult for me to phrase the correct way. Luckily, I have found a friend, Ayumi Nakanishiwho, has first hand knowledge of the situation, and likes to document her findings with photos. The text and pictures that follow are hers.


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Jakarta Punks by Ayumi Nakanishi

First arriving to the country 20 years ago, now the scene has grown as the biggest in Asia, the spirit of punk has perfectly fit in the Indonesian society, where there are reasons to be angry about. The gaps between poor and rich are huge, daily lives are surrounded by irrationalness. There were no human rights, no freedom of speech, or no freedom at all, especially during the Suharto regime for his 3-decade-long dictatorial presidency fallen in 1998. That was when student activists like Mike & Bob chose “punk” to fight for their “freedom,” and soon their loud voices began to reach out.

Formed in 1996 by Mike and Bob, Marjinal, a punk band from Jakarta, has not only helped uncountable numbers of street kids earn cash by teaching them how to survive on the streets by busking with ukuleles; affordable, easy and small enough even for a child to play anywhere, but they also sent their message with the true spirit of punk that is “punk is for everybody.” TaringBabi community ran by Marjinal, is the home to many punks of all ages for long, and opens for “anyone for sharing and learning together.” They give free music lessons and art workshops such as screen-printing, and give away their music, logos and artworks for reproducing for survival. Those who reside at TaringBabi, learn how to survive by caring and helping each other.

The residents include the youngest, a 12-year-old, Ucil, who is from a broken home. “TaringBabi is my family,” said Ebet, 20, whose parents had passed away and has been living there for years. Mike, 33, and Bob, 32, who take care of all, try to make their living by selling their paintings or tattooing that they sometimes exchange tattoos for rice. Living on the edge, they still keep going.

Their activities, and poignant & powerful messages in their songs about the suffering and struggles, government corruption and injustices in Indonesian society made them so charismatic that those followers who have now become the messengers of the band, sing their songs on trains, buses, streets of Jakarta and throughout the country. “It’s about how we take care of our friends.” “We survived until now, it’s not because of the band, but because of the community. We have the mission. It’s about life. We have the reason for that, and the band is a tool. We never stayed until now without our friends,” said Mike on their 14th anniversary in December 2010. They do what they do for so long “to make the revolution for people in Indonesia.”

The Marjinal guys have now been facing a crisis of survival to keep their home “Taringbabi” community because of the economical issues, trying to take care of many punks living there as well as maintain their activities, which are always operating in the red, as it all comes to depend only on Mike and Bob. Marjinal guys have always been struggling though they still let anybody in, let them stay, feed them and give them education, those include street kids living on the streets.

At the moment, their financial condition is quite serious, and the best way to support them now perhaps is to buy their artwork or products for them to earn some kind of cash to survive. So that they can eat and keep the home then go back to their activities. ukeland.co.uk and Ayumi Nakanishi are trying to work together to establish a way that we can support Marjinal by selling their artwork, products/ band merchandise which include their woodcuts prints, T-shirts, pins, patches which are all made by hands. It is not proving easy at the moment as Ayumi is back in her home country, Japan, trying to help people there recover from the natural disasters that have happened over the last year or so, and the Marjinal / TaringBabi team are difficult to contact due to their economical issues.

If you have any ideas on how you can help, please contact any of the following :-

Us: electricukuleleland@gmail.com
Ayumi: photo@ayuminakanishi.com and at her website www.ayumi-nakanishi.com
Bob Marjinal: dosakoe@gmail.com

While we work out how we might be able to sell merchandise for them, please think about raising money and awareness by writing and recording a ukulele punk song, donating some proceeds from a gig, or simply just sharing this story on your social networking sites

“For around $5, every street kid in Indonesia can have a ukulele and sing.”

Welcoming :- Daniel Hulbert

You probably already know Daniel Hulbert from this amazing interview we did with him. When we did that interview we were surprised at how much time and effort Daniel puts in, and how much he loves electric ukes. So surprised in fact, that we asked him to join us and write up some of his next builds. We are glad to announce that Daniel has accepted this offer and is now officially one of the Electric Ukulele Land writers.

Thanks Daniel, I know already you have some very exciting stuff lined up for us and we all welcome you to our great rock and roll show!

John T’s Music Shop

On Saturday I had the pleasure of visiting John T’s Music Shop in Carshalton, Surrey. John’s a nice bloke, loves his banjo’s and uke’s and took a fair amount of time out of his day to show me around and chat.

It’s a bit tricky to spot, but I have added a map to the shop page here.

John has a large stock of ukuleles in all sizes, from sopranos, concerts, tenors and baritone’s as well as u-bass and banjos. He does also stock some guitars and amps.

The shop also stocks tuners and strings, and even have their own line in banjo strings.

While we were in the shop, John’s friends were sat up one end of the shop play guitars and generally adding a bit more fun to the environment.

John’s and his band are getting a gig together in May at the local football ground. I will add up details as soon as I can, but we do know the headline act is going to be

The Re-entrants

Oh, and I guess I should mention, he even has a picture George Formby in the shop!

 

Exclusive Interview : Daniel Hulbert

We have been lucky enough to find another Ukulele builder, Daniel Hulbert, for the latest instalment in our Exclusive Interview’s. Daniel lives in Utah, USA with his wife and two young children. When he is not working as an electrical engineer, he spends his spare timewith tools in his hands making some really nice electric ukes.

Explorer Ukulele: (2011) - This futuristic design works very well as an electric ukulele. The color scheme and hardware closely resemble a full-sized Classic White Gibson Explorer.

How did you get into building Uke’s, Daniel?
I started to build instruments in 2009. My first instruments were basic instruments made out of altoids and cookie tins. My confidence increased, as I built more instruments. I soon made my first solid body electric ukulele. I learned a lot from and that build and have continued to gain knowledge. With solid-body electric ukuleles, I have also fashioned playable ukuleles out of tennis racquets, a frying pan, and even a bedpan.

How much planning goes into making your ukes? Do you draw out your own designs or did you manage to find designs somewhere else?
I start my planning by staring, ofttimes longingly, at different guitar designs. When one suits my fancy, I begin to figure out the needed parts and supplies. Another thing that helps is to make a full-sized paper mockup of the ukulele. Doing this helps to ensure that the end product will be able to accommodate the pickups, tuners, control plates, etc.

So far, my electric ukuleles have been tributes to regular-sized electric guitars. In this respect, much of the design has been done. The task is to figure out how to pack the essense of the guitar into uke form.

When you set off building a uke do you design the ukulele based upon the parts you have, or are you hunting down the parts to fit? Are there any parts you struggle to find?
A more prudent builder would cobble together an instrument with on hand parts. Unfortunately my ukuleles require me to scour heaven and earth (i.e. the internet) to find specific parts. Luckily, there are plenty of resources for luthiers online. Four string electric bridges are fairly easy to track down, although the variety is quite limited.

Someday I’ll fashion together a “Mulligan uke” with the loose parts that I’ve accumulated. That will save money on merchandise and eliminate shipping time.

We know how hard it is to find 4 pole pickups, especially with re-entrant G designs. We have noticed you use 6 pole guitar pickups on your ukes. It looks like you line up the strings with poles 2-5 Do you find this changes the sound at all? Did you ever consider winding your own pickups? Have you tried using hot rails?
When I first researched the idea of building my own electric ukulele, the dearth of 4 pole pickups became very apparent. I toyed with the idea of making my own, but the cost of the supplies and equipment quickly squelched that plan. I’m more than happy to simply buy affordable guitar pickups that suit my needs.

My reason that I have never used hot rails? They haven’t matched my build’s aesthetics. (It’s not a great reason, but it’s a reason.) Maybe I’ll incorporate them into future builds because they’d probably offer an elegant solution.

Telecaster Ukulele: (2010) - This was the first electric ukulele that I built. I wanted it to function in the same manner as a full sized telecaster. You can see that the parts are the same as would be used on a full sized Tele. I roughed out the body with a borrowed scroll saw and router, and then did the rest of the work in our small apartment.

Which strings do you use and what sizes? Do you tune low or high ‘G’?
I use “D’Addario EXL110W Nickel Wound, Regular Light, Wound 3rd, 10-46” electric guitar strings. That may seem overly specific, but they work great for my electric ukulele builds. Having the wound 3rd string actually makes a big difference. The four thinnest strings of the electric guitar set are shuffled around for my instruments. They are in this order (guitar string – ukulele string): (b – g), (d – c), (g – e), (high e – a). This order has the two wound strings in the middle.

My electric ukuleles are tuned in a “high G” configuration. My foray into ukuleles started when I bought my very first uke six years ago. Having a guitar background, the non-reentrant “low G” seemed more natural. After buying a fingerstyle ukulele book that called for a “high G” tuning, I tuned the ‘G’ up one octave and haven’t looked back since. I feel that the reentrant tuning is more characteristic of the “ukulele sound” that we love.

Which other guitar parts have you found you can salvage?
I love musical instruments. I feel a twinge of sorrow when I see an instrument at a secondhand store or garage sale that is in disrepair (incidentally, I’m not a fan of Pete Townshend’s on stage behavior). When I acquire one of these castoffs, I’ll try to repurpose every part it that I can. This can be a great way to find tuners and pickups, along with smaller items like strap pegs and screws. Everything else gets placed in the “to-be-used-later” bin.

Jag-Stang Ukulele: (2011) - The Jag-Stang electric guitar is a modern classic. It combines elements of both the Fender Mustang and Jaguar into an intriguing hybrid.

Which woods do you use for the bodies and the neck? You mentioned that you use a scroll saw to rough shape the body and a router to cut out the cavities, but are their any other tools you can recommend while building?

I’ve used ash and alder for my ukulele bodies. They are sturdy, fairly easy to work with, and cost effective. I also have a 1.5 inch thick piece of mahogany sitting in my garage that I’m saving for a “stain-grade ukulele”. It would be a shame to paint over that wood, so that ukulele will have a “heritage cherry” finish. My necks are made of maple. Lots of electric guitar necks are made from it for a reason. It’s solid and sturdy wood.

Besides a scroll saw and a router, a drill press would be nice to have. I say “nice to have” because I haven’t bought one for myself yet. I do my drilling with a handheld electric drill. It works, but not as well as a drill press. A thin bladed saw is also a great thing to have for cutting fret slots.

Do you carve the necks yourself? How do you go about fretting them? What scale of neck do you prefer?
Necks can be intimidating. A lot of my apprehension was allayed when I became familiar with the “scarf joint”. A one-piece neck is obviously the best solution, but it is difficult to make. Gluing on a head is a great way to make a neck, especially for angled headstocks.

I slot my boards with an online fret calculator, a precision miter box, and a thin bladed pull saw. Then, I tap the fretwire into the slots with a plastic mallet. I trim the excess fretwire off with a Stewart-MacDonald fret cutter. A soprano scale (13”) is my most used, but I may branch out to concert and tenor scales soon.

DIY Travel Ukulele: (2011) - I wanted to make a ukulele with parts and wood that is readily available. I added a rod piezo to the bridge to amplify it. It's great for traveling. I made plans for it which are available for free by emailing circuitsandstrings@gmail.com.

We presume that you paint up your uke’s just like electric guitars. Your finishes look really nice for home made instruments. Can you share any insight?
My ukuleles are painted in my garage with spray cans. My first instruments were finished with spray paint from a hardware store. I figured that paint was paint and there was no need for the expensive “instrument grade” nitrocellulose lacquer. I was very wrong. I was trying to scrimp on the paint and I wasn’t getting the results that I wanted. I got some lacquer from Reranch and the stuff worked great. I now follow the “Nitrocellulose Finishing Schedule” provided by Stewart-MacDonald. If you follow it properly, you should get good results. Filling the grain, sealing the wood, along with wet sanding and buffing the finish are some of the steps essential for a good end product.

Any final advice for other hobby uke builders? Is there anything you reckon we should all avoid at all costs?
Making an electric ukulele takes a lot of work. It also takes some money. If you want to make an electric ukulele, make something that you can be proud of. Avoid the desire to go cheap on the paint. It is silly to spend hours and hours of time to make an instrument, and then finish the ukulele with bad looking paint. The rest of the components don’t have to be top of the line, just find some that are of good quality.

Where can we see the ukes and you playing them?
I have two YouTube Channels. These channels have a variety of electric and acoustic ukuleles, as well as some other instruments.

http://www.youtube.com/user/CircuitsAndStrings
http://www.youtube.com/user/ragtagbag

If you want to contact Daniel or want a copy of his plans for building the Travel Uke, you can do so by emailing circuitsandstrings@gmail.com and telling him ukeland.co.uk sent you 😉